Why write a play? Good question

As mentioned in my previous post in which I shared the very embryonic beginnings of my new play, it's been a while since I embarked upon a completely new project. This particular subject is a departure from previous main-stream play topics and has caught my imagination so for this reason alone, there's hope that it will evolve into a full and more importantly, finished, play. Frequently - all too frequently - things will move along at a rapid pace only to slow down at the quarter or half-way point, followed by a complete lack of progress. Why? Who knows. Anyway...

Write, kvetch and complain - it's a constant.

This is all leading to some thoughts about play writing. It occurred to me while writing my newest play and digging deep in the psyche of my characters, one of which is a spider, that perhaps it's pointless to turn out new plays, when existing plays are waiting to be shared with the world.  Speculating further, perhaps:

a.   the plays aren't well written, or...
b.   the subjects don't match the interest of the general public, or...
c.   the story line is boring, or...
d.  the theatre producers are sticking to well-known and proven playwrights and/or plays that are bank-able, financially.

One would hazard a guess that d. plays a big part in the final decision.

Actually, doing a count, I've written four full two-act plays, which have been edited to death over the years in hope that each re-write will make the difference between acceptance and rejection, one one-act play that at least has had a play reading, plus a number of short plays. Even if a play is fantastic, the competition "out there" in the playwriting world is significant, hence the rationale behind the contemplation and introspection bit. As any writer, playwright and anybody who writes will attest, once a writer - always a writer. There may be periods of self-doubt in which one questions the rationale behind choosing this craft...correction: you don't choose to be a writer/playwright/whatever. You just are because you have to be.

In one of his blogs in "The Producer's Perspective" Broadway producer, Ken Davenport, a Tony winner who knows the ins-and-outs of getting produced, offers playwrights five tips on how to get a producer to read a play. You can read his suggestions here: https://www.theproducersperspective.com/my_weblog/2009/02/how-to-get-a-producer-to-read-your-script.html. I've picked up some great advice and tips and recommend it.

Meanwhile, it's back to spide-y and the lady, who are waiting for the word. Hey - isn't this what it's all about in the end?

https://www.theproducersperspective.com/first-time-on-the-blog-start-here

"SEEDS" - the continuing story of pigeons and friendship

My muse paid me a visit this week and it's about time, too. It's been somewhat of a dry spell pursuing the continuing story of Julie, the park jogger, and her chance meeting with Sylvia, the ultimate pigeon lover. The story is slowly developing in an on-again, off-again fashion.

Yet another snippet:

An encounter with Hal, the park supervisor, who warns Sylvia that more significant steps will be taken if she refuses to cease and desist the feeding of her feathered friends.

 

JULIE

Sorry I took so long but my boss called. Hadda explain why I wasn’t back. Course I lied but then it was for a good cause. A friend of yours, Sylvia? Introduce us.

          SYLVIA is silent

I’ll go out on a limb here and guess that judging by your uniform, you work for the parks department

          HAL is silent

Nice park you have here. I take a short jog through here on my lunch hour. Met up with Sylvia not two hours ago but it’s like we’ve known each other forever. Maybe we were friends in a past life or something. Course not everyone believes in that stuff but I think there’s something to it. Am I missing something? You can cut the silence between you two with a knife

HAL

I was just warning Sylvia that she has to stop feeding the pigeons. It’s not like I haven’t told her a thousand times before but I’m getting heat from the director to take more action, the type she won’t like

SYLVIA

I’ve tried to explain the situation to my friends but they don’t listen for whatever reason. Pigeons can be very stubborn when they sense a threat. Don’t think they like you, Hal

JULIE

Oh I think Hal here is merely doing his job, right Hal? Are you on duty here five days a week? I would have remembered seeing you for sure

SYLVIA

He’s a threat to pigeons. How come you don’t pick on other birds or squirrels?

 HAL

They don’t leave blobs of white everywhere like your feathered friends do

SYLVIA

How do you know that? You’re not here on guard twenty-four-hours a day. It’s a personal thing with you, isn’t it? Admit it! You hate them!

JULIE

Now Sylvia, I’m sure Hal here is just doing his job. Never met a pigeon lover like Sylvia. Here every day to feed them. Why I don’t know…that is to say, a person has to take a rest now and then to take care of themselves. I was just telling her she’s not dressed for this weather and needs to wear warmer clothes. We were just sharing a hot pretzel and coffee…here’s your pretzel, Sylvia. Probably cold by now but the coffee is still warm

          SYLVIA breaks the pretzel into small pieces

HAL

Don’t even think about feeding that to the pigeons

JULIE

Of course she’s not. She’s a law-abiding citizen, aren’t you friend? We were about to head for my apartment. Right Sylvia? I need some decorating advice and it seems she has a flair for design.

SYLVIA

But..

JULIE

Don't be so modest! Such an avant-garde trendsetter. Very much in demand and I’m fortunate enough to have met up with her in this very park. Fate I guess

SYLVIA

I can’t…

JULIE

…fit me in your schedule? I’m in no rush. Meanwhile you can offer me advice on wall colors and maybe a few decorating tips. Getting colder by the minute. Better head home. Nice meeting you, Hal. You wouldn’t happen to have a card with your contact number, would you? Never know when I might need help being that I’m a jogger. I could trip and need some assistance, being that I run here from noon to one except on Fridays

 

          JULIE attempts to usher SYLVIA away but SYLVIA

          resists

(Cont’d. JULIE) Silly me. You want to say goodbye to your feathered friends. Then we really have to leave

HAL

 

Better leave now with your human friend, Sylvia

JULIE

 

Look at the time! Really gotta go. Don’t you just love these pretzels?

          JULIE drags SYLVIA away as she looks back at the

          pigeons, her arm extended towards them

Hanging in there - playing around

At long last, "Old Soldiers" has left the building in a manner of speaking. After choosing an ending to this play that has been in the creative process for more than a year, I finally bid it a fond adieu, wished it well and submitted it to the BBC International Playwriting Competition.

As people reading this blog are aware, the play had its beginning as a short story that evolved into play based on the strength of its main character, Joe McKenna. There was something about Joe that begged to be explored further as described in a blurb taken from the synopsis:

"As an ex army man and soldier, 85-year old Joe McKenna is a man of habit. He is a widower whose only companionship is his 12-year old dog, Daisy. The aging process has taken its toll physically and emotionally, turning him into an embittered man full of resentment towards society and what he perceives to be life's injustices. He is a lonely soul with too much time to think about the past and knowing that the future will leave him dependent on the kindness of others."

As a play, Joe was joined by three ex-army buddies along with some other interesting characters that helped propel the story along. Having never written for radio, the big challenge was to incorporate sound effects. In any case, Joe's fate - and mine - are in the hands of the judges since the competition closed on January 31st.

Meanwhile, another play, "Retribution" is taking an interesting turn. Submitted it to the Sundog Theatre, "... a performing arts organization in Staten Island that provides entertainment for adults and children in the form of contemporary and original theatre." It was selected to be part of a play reading series - all being well - to take place in summer. The drama focuses on Sue Ellen Parker, a hairdresser, who exacts revenge for a horrific past crime committed against her in the past. Must have re-written this play at least a dozen times until it felt "right."

At present, I'm at the finishing stage of completing "Neighbors" a comedy, two-act play that had its beginning as a 10 minute play. The story line focuses on two neighbors and their long-standing feud over what one believes to be the erroneous placement of shrubs, which divide both their properties. Very enjoyable to write and with definite production potential. Will put it to sleep for a while and then re-read it and start the re-writing process. Amazing what time can do for one's perspective. I've completed plays that I thought couldn't be improved only to realize that the content was garbage, which in turn caused a complete re-write of the play(s).

As usual, will keep readers of this blog and/or others who drop by from time-to-time updated.