Hate to see a straight line indicating nobody has dropped by my playwriting blog, as is the case presently. Actually, this is applicable to all my blogs. As writers, the purpose of sharing our thoughts via a blog is to reach the public in the hope that something we have written will strike their fancy, or like the contents enough to read it to the end. A straight line means nobody finds the blog worthwhile enough to drop by. Don't like straight lines but it goes as it goes. You win some - you lose some. Anyway...
It's Friday night and I'm watching "Shark Tank", one of my favorite TV programs, while adding content to this blog. Right now all the sharks are in a bidding war for a food product with offers of $100,000 to sweeten the deal. This makes one - me - wonder how much a play is worth. It would be dependent upon whether or not its produced and how favorably the public reacts in money values. But I digress.
Me? I'm still sending out my plays and short play-ettes here, there and everywhere hoping to hit pay-dirt. Wish I could report some progress but alas and alack, it's still a waiting game. Have to confess that I've been hesitant to enter my ten-minute plays in competitions where a submission fee is required - reading fee as it is frequently called - with no financial compensation offered upon acceptance and performance. It's nice to think that our time writing the play, be it a short one, is worth a token payment. Any feedback on this?
Came across a theatre recently that was holding a competition for full 2-act plays but only snail-mail-in submissions were acceptable. There is a part of me that understands their rationale since having to print up potentially usable plays costs money and most theatres are short of funds these days. If this is the case and at least in my mind, it would be easier to read plays submitted electronically and delete those that are unsuitable, no? On a personal note my plays have been edited so many times that printing each updated copy would cost a fortune, and then there's the postage...
Amazing how easy it is to come up with complaints about how unfair the system is. I mean, who else you gonna blame? Oneself? Neh...
Right now two males have entered the shark tank with a product that they feel is worth a million dollars and there's a bidding war with all the sharks involved. maybe Mr. Wonderful, Damond, Mark, Lori, Barbara or Robert might want to produce some really great plays.
Showing posts with label thoughts on playwriting. Show all posts
Showing posts with label thoughts on playwriting. Show all posts
Friday, October 23, 2015
Sunday, February 22, 2015
Playwright's ruminations - the fix is in
Sitting down in front of the computer, chin in hand and thinking about playwriting. Again. Note the word, "thinking" but not the actual act of taking fingers to keyboard and producing some worthwhile dialogue. Still further delayed the process by going over finished plays and assessing whether they need fixing or editing, something I'm prone to do in both my writing and painting. Frequently, the end result is ruining any progress on whatever project I'm "fixing."
I'm an inordinate "fixer" of all my artistic undertakings, which really don't require further adjusting. Recently, I applied what I swore were the absolute final strokes to a black and white painting first started three years ago, which has been "fixed" over the years. Perhaps this will be the reality and then again, who knows.
In as far as my plays are concerned, some have been altered to the point where all objectivity has been lost as to the strongest version. Most often, the changes are relegated to small dialogue adjustments or altering what appears to me to be a weak a scene. In the end, a decision has to be made which version is the best version to submit, followed by a period of self-doubt and whether my plays are actually produce-able. Perhaps this is a common pattern with writers in general in that the selection of the right words is paramount to the whole story line. In as far as dialogue is concerned, the character has to utter words and phrases that suit her/his mannerisms, personality and mien and therein lies the challenge.
Although the actual act of submitting plays is a positive move, there is also the self-doubt that creeps in waiting for updates on their fate. Negative thoughts like:
- perhaps the wrong version was sent - whatever that is
- maybe I don't have what it takes to be a "real" playwright
- given the volume of experienced and produced playwrights, many of whom are familiar names to
the public and within the theatre community, do my literary gems stand a chance?
And so the uncertainty continues but something drives me to persevere. The possibility, whatever the odds that there is a theatre "out there" somewhere that will see something special in my plays is enough to keep me going and press on. Meanwhile, some fine tuning of the dialogue and changes to the story arc is required to Dead Writes. Really.
P.S.: Just read that Larry David's new play, "Fish In the Dark" has broken another box office record during its third week of previews at the Cort Theatre It should only happen to me but first one of my plays has to be produced! Be that as it may... Mazel-tov, Larry...or Mr. David. Good to note that good comedy will always draw a crowd. FISH IN THE DARK, which also stars Rita Wilson, Rosie Perez, Jayne Houdyshell, Ben Shenkman and Lewis J. Stadlen, heading a cast of 18, is running for an 18-week limited engagement through Sunday, June 7. Opening night is Thursday, March 5.
Wanna see it...wanna see it...
I'm an inordinate "fixer" of all my artistic undertakings, which really don't require further adjusting. Recently, I applied what I swore were the absolute final strokes to a black and white painting first started three years ago, which has been "fixed" over the years. Perhaps this will be the reality and then again, who knows.
In as far as my plays are concerned, some have been altered to the point where all objectivity has been lost as to the strongest version. Most often, the changes are relegated to small dialogue adjustments or altering what appears to me to be a weak a scene. In the end, a decision has to be made which version is the best version to submit, followed by a period of self-doubt and whether my plays are actually produce-able. Perhaps this is a common pattern with writers in general in that the selection of the right words is paramount to the whole story line. In as far as dialogue is concerned, the character has to utter words and phrases that suit her/his mannerisms, personality and mien and therein lies the challenge.
Although the actual act of submitting plays is a positive move, there is also the self-doubt that creeps in waiting for updates on their fate. Negative thoughts like:
- perhaps the wrong version was sent - whatever that is
- maybe I don't have what it takes to be a "real" playwright
- given the volume of experienced and produced playwrights, many of whom are familiar names to
the public and within the theatre community, do my literary gems stand a chance?
And so the uncertainty continues but something drives me to persevere. The possibility, whatever the odds that there is a theatre "out there" somewhere that will see something special in my plays is enough to keep me going and press on. Meanwhile, some fine tuning of the dialogue and changes to the story arc is required to Dead Writes. Really.
P.S.: Just read that Larry David's new play, "Fish In the Dark" has broken another box office record during its third week of previews at the Cort Theatre It should only happen to me but first one of my plays has to be produced! Be that as it may... Mazel-tov, Larry...or Mr. David. Good to note that good comedy will always draw a crowd. FISH IN THE DARK, which also stars Rita Wilson, Rosie Perez, Jayne Houdyshell, Ben Shenkman and Lewis J. Stadlen, heading a cast of 18, is running for an 18-week limited engagement through Sunday, June 7. Opening night is Thursday, March 5.
Wanna see it...wanna see it...
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