As mentioned in my previous post in which I shared the very embryonic beginnings of my new play, it's been a while since I embarked upon a completely new project. This particular subject is a departure from previous main-stream play topics and has caught my imagination so for this reason alone, there's hope that it will evolve into a full and more importantly, finished, play. Frequently - all too frequently - things will move along at a rapid pace only to slow down at the quarter or half-way point, followed by a complete lack of progress. Why? Who knows. Anyway...
Write, kvetch and complain - it's a constant.
This is all leading to some thoughts about play writing. It occurred to me while writing my newest play and digging deep in the psyche of my characters, one of which is a spider, that perhaps it's pointless to turn out new plays, when existing plays are waiting to be shared with the world. Speculating further, perhaps:
a. the plays aren't well written, or...
b. the subjects don't match the interest of the general public, or...
c. the story line is boring, or...
d. the theatre producers are sticking to well-known and proven playwrights and/or plays that are bank-able, financially.
One would hazard a guess that d. plays a big part in the final decision.
Actually, doing a count, I've written four full two-act plays, which have been edited to death over the years in hope that each re-write will make the difference between acceptance and rejection, one one-act play that at least has had a play reading, plus a number of short plays. Even if a play is fantastic, the competition "out there" in the playwriting world is significant, hence the rationale behind the contemplation and introspection bit. As any writer, playwright and anybody who writes will attest, once a writer - always a writer. There may be periods of self-doubt in which one questions the rationale behind choosing this craft...correction: you don't choose to be a writer/playwright/whatever. You just are because you have to be.
In one of his blogs in "The Producer's Perspective" Broadway producer, Ken Davenport, a Tony winner who knows the ins-and-outs of getting produced, offers playwrights five tips on how to get a producer to read a play. You can read his suggestions here: https://www.theproducersperspective.com/my_weblog/2009/02/how-to-get-a-producer-to-read-your-script.html. I've picked up some great advice and tips and recommend it.
Meanwhile, it's back to spide-y and the lady, who are waiting for the word. Hey - isn't this what it's all about in the end?
https://www.theproducersperspective.com/first-time-on-the-blog-start-here
The exhilaration, exultation, expectations and experiences of writing plays and getting a play produced or noticed.
Thursday, July 06, 2017
Sunday, July 02, 2017
SPIDER: the play
Finally, after a long-ish drought, started a new play that is coming along nicely, if I may say so myself and I do. The theme of the play is unusual, at least for me, focusing on a chance encounter between a spider and a female. Or is it a coincidental encounter?
Here is a small spin of "Spider" - an introduction.
SCENE A bedroom.
AT RISE Female sleeping in her bed. A 'spider' slowly crawls up
on to the bed from the foot of the bed and
stops in the middle. Staring at the sleeping woman causes her to
stir to consciousness.
(Female cont’d) Now I can’t go
back to sleep. Every time I close my lids, I keep seeing eyes watching me.
…here, somewhere...
SPIDER
Here is a small spin of "Spider" - an introduction.
'Will you walk into my parlour?' said the Spider to the Fly,
''Tis the prettiest parlour that ever did you spy;
The way into my parlour is up a winding stair,
And I have many curious things to show when you are there.'
'Oh no, no,' said the little Fly, 'to ask me is in vain,
For who goes up your winding stair can ne'er come down again.'
''Tis the prettiest parlour that ever did you spy;
The way into my parlour is up a winding stair,
And I have many curious things to show when you are there.'
'Oh no, no,' said the little Fly, 'to ask me is in vain,
For who goes up your winding stair can ne'er come down again.'
SPIDER
AT RISE Female sleeping in her bed. A 'spider' slowly crawls up
FEMALE
Sits up, turns on lamp
Wow!
Weird dream! A nightmare, really. Ugh… black furry thingies…crawling
everywhere… Must be those tacos laying on my chest.
Covers herself and suddenly jolts
to an upright position
SPIDER
Hello
there!
WOMAN
Woman looks around room, under bed for source of voice. Moving her head
to
a normal position, she catches the sight of the spider. She brings her knees
up
to her chest level in a fear response
Agh!
OmyGaw-d! A spider! What am I supposed to do? Nobody around to get rid of it!
Where’s a spider slayer when you need one! Oh Gaw-d! I know – I’ll swat it with
today’s paper… Wait! I threw it out! Oh Gaw-d-oh-Gaw-d… Gotta calm down - just
get up and get the bug spray on the veranda. That means I have to push back the
covers and what happens if it - if it jumps on me! I’m gonna die!
SPIDER
Such
melodrama, my dear. You do realize that you're considerably larger than my
miniscule dimensions. The only defence I have are – well – eight legs in which
to escape enemies and venomous sac to…
WOMAN
Stop!
Too much information!
SPIDER
It’s
unfathomable as to why you humans fear we tiny and defenceless arthropods to such
a degree. We live a quiet life in a web, not bothering anyone and yet your kind is determined to destroy our existence. Why?
WOMAN
We
just do – ‘kay? Now how am I gonna get off the bed to get something to –
SPIDER
-
kill me? Squash me into a black mass? Tear off my legs?
WOMAN
Something
like that…
SPIDER
What
did I ever do to deserve such murderous intent?
WOMAN
You’re…you. A spider. The enemy. Something to be feared
SPIDER
But
here we are, talking to each other in a civilized fashion and yet you have homicidal
thoughts running through your head
WOMAN
(opening a night table drawer)
I
think there’s a Home and Garden magazine in here somewhere… It’s got weight, which
will be perfect –
SPIDER
-
let’s not be so hasty. Perhaps we can open a dialogue so that we can examine
our situation and see if we can arrive at a mutual understanding we both can live
with…
WOMAN
…darn!
Where’d I put that magazine...
SPIDER
…it
seems by your choice of reading matter that you are a lover of the outdoors…
WOMAN
…here, somewhere...
SPIDER
…what’s
the rush? Let’s at least open a discussion…
WOMAN
There’s
nothing to talk about. You’re a spider that hast'a be eliminated
SPIDER
To
be honest, I didn’t just arrive here, now. In fact, I’ve been hanging around in
the true sense of the word (chuckles) for months, out of sight, watching and
studying you
WOMAN
Where?
I mean, I never spotted you
SPIDER
Oh
here, there, everywhere… In the bedroom, kitchen but mostly in a corner in the den
WOMAN
Like,
how long are we talking here? A week…days…
SPIDER
Much
longer than that. Try a whole year, which is quite a personal accomplishment
given you humans penchant for instant spider elimination the minute you catch
sight of us
WOMAN
Why
are you still here?
SPIDER
I
ask myself the same question given the odds against survival. Fascination, I
guess, not to mention your house is quite an agreeable place to hang out, if
you’ll excuse the pun, again. I’m especially taken with your extensive
collection of house plants, many of which I’m attracted to
WOMAN
Used
to have more but somehow they always ended up being attacked by bugs and I’m
personally against using those anti-insect sprays. Not environmentally friendly
SPIDER
That’s
very considerate of you being an insect lover myself, but for a different
reason
WOMAN
And
that would be
SPIDER
Let’s
just say that I help control the bug population
WOMAN
Like,
that is so cannibalistic. Where’s that magazine…
SPIDER
A
spider has’ta eat, y’know
WOMAN
Stop!
I’m feeling nauseas! I don’t wanna know anything more. I know it’s here
somewhere…
SPIDER
That it on the lamp table over in the corner?
WOMAN
Must’a left it there a couple of months ago.
they sit staring at each other for a minute, immobile
SPIDER
Changed
your mind? A reprieve for me, perhaps?
WOMAN
I’m
just wondering… What happens if I…like…push the covers back and make a run for
the magazine?
SPIDER
Definitely
do-able. Let’s examine the possibility. You would throw back the covers thereby
covering me up and causing me to be temporarily immobile and I, in turn, in an
effort to avoid being squashed, would creep away and hide. There are so many
good places to avoid being seen and we may not meet again in person for a long
time.
WOMAN
Hide?
Where?
SPIDER
Can’t
say for sure. Somewhere in the house, out of view but within sight of you
WOMAN
In
this room?
SPIDER
Perhaps.
Then again, maybe not. Maybe in the basement in your laundry basket…or perhaps
in your food cupboard, or in the den. Who knows!
WOMAN
But
I have to pee and the bathroom is on the other side of the room
SPIDER
Oh
I do love the bathroom. So nice and damp, especially the bathtub
WOMAN
Look
– I’m not kidding – I really have to go
SPIDER
Hey
– don’t let me stop you. All you have to do is get off the bed and walk to the
bathroom. Such an easy move
WOMAN
Grabs the magazine and rolls it up
Okay…
Concentrate… One smack…
Slides down bed towards the
spider, who starts moving towards her
Stop
moving! I – I can’t look at your eyes. Stop!
SPIDER
Do
you really expect me to do nothing in the way of avoiding imminent death?
WOMAN
How
about a temporary truce?
SPIDER
We
could open a discussion.
WOMAN
Okay.
The reality is I gotta go to the bathroom and in order to get there have to get
off this bed.and by you, which isn't physically difficult. I’ll put down this magazine, at least for now, if you
stay exactly where you are
SPIDER
How
do I know I can trust you?
WOMAN
How
do I know I can trust YOU?
SPIDER
Given
your size compared to my miniscule dimensions, seems I have more to lose than
you
WOMAN
Size
isn’t necessarily an indicator of bravery. Things are getting desperate here.
Do we have a deal?
SPIDER
Hmmmm.
Depends
WOMAN
On
what?
SPIDER
The
terms of our temporary arrangement
WOMAN
Like -
can we please get this discussion over with?
SPIDER
How
long would this truce last?
WOMAN
I
dunno. Fifteen minutes… Things are really at the desperate stage now
SPIDER
Fifteen
minutes? That’s it? I have to stay here, immobile, trusting that you’ll use the
magazine strictly for reading purposes? No deal
WOMAN
Fine.
Okay. How about an hour, then?
SPIDER
Let's go for four hours. That'll give us enough time to discuss our situation and try to
arrive at a favorable solution to our impasse
Thursday, May 04, 2017
The neighbors are still fueding over shrubs
Once again, for the umpteenth time (how much exactly is umpteen, one wonders), just finished yet another update and re-write of "Neighbors" now known and re-titled, "The Shrubs."
It's been more than a year since putting the play to bed for a while in the hope of gaining some perspective as to its contents and viability. It's always been a favorite play because the characters get to say some entertaining and amusing lines. In the way of background information for people who aren't familiar with the story line, it focuses on the long standing dispute between two neighbors and the erroneous placement of a set of shrubs that divide their two properties. One wants them removed while the other is determined that they will stay, forever.
There weren't really many changes other than some inconsistences that were missed somehow, during the many re-writes. This was caught due to the breathing space between re-reads. In any case and because I like the play, here is the opening dialogue.
The two neighbors, Portman and Taylor, take great pleasure in defending their view points with verbal barbs. Ignore the formatting since it was a cut-and-paste from Word.
D ressed
in a short-sleeved dress shirt and pants, JEFFRY TAYLOR, his next door
neighbor, is the antithesis of PORTMAN, and a perfectionist. TAYLOR tends to
his garden stopping periodically to study PORTMAN and finally makes his way
over to their common fence.
TAYLOR
PORTMAN
TAYLOR
How long have you been laying there?
PORTMAN
What time did the sun rise, today?
TAYLOR
Another
liquid breakfast, I presume
PORTMAN
For
your information, it’s plain orange juice
TAYLOR
And? You
expect me to believe that? Oranges
aren’t the only thing in your juice to give you – in your vernacular – a buzz
PORTMAN
Go suck a lemon. Wait – you don’t need to. You’re
sour enough
TAYLOR
Touchy-touchy. You know what I’m getting at
TAYLOR
It’s not like I haven’t said it a thousand times
before
TAYLOR
Cheez Portman, it's only gone ten in the morning! You’re
well on your way to turning into an alcoholic. Did I say turning into?
Taylor touch
TAYLOR
Don’t ask me why but I care ‘bout you. Maybe
something to do with the fact we've been neighbors going on twenty years and I
don't wanna see you end up with cirrhosis of the liver - or worse
TAYLOR
Better ,a neighbor you know
than one you don’t. Don’t feel like breaking in someone new at this stage of my
life
TAYLOR
Do you see the incongruity in your chosen
profession?
TAYLOR
Owning a bar must be the best thing that ever
happened to you with your thirst
TAYLOR
Denial – a sign of an alcoholic. Can’t you see the
writing on the wall?
Drains glass and checks watch
Gotta leave. Patty's opening today
TAYLOR
Another one of those Hooter waitresses?
TAYLOR
I bet she’s that and more
TAYLOR
t least it’s something productive
TAYLOR
Save me from the melancholy alcoholic offering his
view of life in a brief second of clarity. In all the years we've lived next
door to each other, the only position I've seen you is lying on your back with your lips glued to the rim of a beer
bottle. How long has it been, anyway, since you held down any type of job, if
ever
TAYLOR
Figure you must be in your mid-forties or
thereabouts
TAYLOR
ust be near impossible to find a company that's
looking for a hammock tester. How you've managed to survive on next to nothing is
nothing short of a miracle, but then I would imagine your needs are few and far
between. A bottle opener, a case of beer and you're all set
TAYLOR
And a big one for booze. How many bottles d'ya
figure you drink of that poison a day? A dozen? More?
TAYLOR
You sure
as hell don't. Just bugs me to see you wasting your life away, doing nothing
productive
TAYLOR
All I can say is that I wouldn't waste mine lying on my back
TAYLOR
A person has'ta leave his mark on this world! He's
gotta be able to tell future generations: ‘I-was-here!’
TAYLOR
By the time they inherit your house if you still
own it, those shrubs'l be long gone, I can promise you that
TAYLOR
Wouldn't count on that, if I were you
TAYLOR
ver my dead body!
TAYLOR
Maybe not right now but don't count on them being
here much longer
TAYLOR
How come the topic of conversation between us always ends up about your so-called shrubs growing on my property? Ten years of begging you
to dig 'em up and they're still
standing, getting taller every year. The longer you leave them, the more it's gonna cost you to cut 'em down when the time comes
It's been more than a year since putting the play to bed for a while in the hope of gaining some perspective as to its contents and viability. It's always been a favorite play because the characters get to say some entertaining and amusing lines. In the way of background information for people who aren't familiar with the story line, it focuses on the long standing dispute between two neighbors and the erroneous placement of a set of shrubs that divide their two properties. One wants them removed while the other is determined that they will stay, forever.
There weren't really many changes other than some inconsistences that were missed somehow, during the many re-writes. This was caught due to the breathing space between re-reads. In any case and because I like the play, here is the opening dialogue.
The two neighbors, Portman and Taylor, take great pleasure in defending their view points with verbal barbs. Ignore the formatting since it was a cut-and-paste from Word.
THE TIME
The
present, mid-summer
SETTING: Back garden(s) of two neighbors. A picket fence separates
their properties
AT RISE: Morning. Hot summer's day.
SOUND FX: Lawnmowers
ROBBIE
(ROB) PORTMAN lazes in a hammock reading a book while holding a glass of liquid
in the other hand. Dressed in cut-off jeans and a grungy t-shirt, his hair is
long and unkempt and he sports a heavy beard
(wiping
forehead)
Must be a hundred degrees in the shade today. I’d
be indoors right now if my tomatoes didn’t need pampering. That’s the real secret
of growing big veggies, y’know. Give em extra ‘TLC’… Hello? Hope I'm not disturbing you
or anything
PORTMAN
Takes gulp of liquid from glass
Must be them darn chipmunks makin’ a racket again' Gettin’
so’s a person can't read in peace anymore
PORTMAN
What time did the sun rise, today?
PORTMAN
For
your information, it’s plain orange juice
PORTMAN
Go suck a lemon. Wait – you don’t need to. You’re
sour enough
PORTMAN
Okay – say it. You’re just dying to. Then go away
PORTMAN
How does what I do affect your life?
PORTMAN
Been there - heard it all before so don’t waste
your breath. Go tend to your carrots or something. They need the
PORTMAN
Since when do you give a crap about whether I live
or die?
PORTMAN
Don’chu worry ‘bout me
moving away. I intend to be here for a long, long time. It's
too much fun bugging the shit out’ta you
PORTMAN
Maybe I would if I could understand the question.
Give me advance warning when you’re gonna give me another of your dumb lectures
and I’ll make sure to have a dictionary handy
PORTMAN
It’s a living and I like the people who drop by.
You know – regular people. Something you wouldn’t know anything about
PORTMAN
You
talking 'bout that "keep of the grass” sign you got posted all over your property?
It's the joke of the neighborhood, y'knowDrains glass and checks watch
PORTMAN
As if someone the likes of you would notice. You’re
more into cucumbers, if you get my drift and for your information – not that I
owe you anything - Patty is the right hand to my lef
PORTMAN
And what would you know about sex? The closest you
come is playing with your veggies
PORTMAN
Take a look at yourself and your life. Work your
butt off for a multi-national all those years and what's it got you? A dinky
house and a veggie garden. How do you stand the excitement?
PORTMAN
What's it your business?
PORTMAN
Never found a position to suit my qualifications
PORTMAN
Don't need big money to impress people like you do.
I'm a simple guy with simple tastes
PORTMAN
Who counts?
PORTMAN
So don't look man! Turn your head the other way and
mind your own business for a change and not mine! Listen! Your tomatoes are
calling you
PORTMAN
Did somebody ask you to? It beats having to listen
to you foam at the mouth about the evils of drink
PORTMAN
My niece and nephew will know all about me, alright, ‘cause I’m leaving them
something to remember me by. When I pass
on, this here house'l go to them, along with those beau-ti-ful shrubs. It’s all
written out in my will
PORTMAN
Might even build a de-luxe-y tree house for them
this summer so's their grandkids can learn all about nature, up close and
personal-like…
PORTMAN
…maybe hang some tire swings from the branches…
PORTMAN
I can arrange that. Anyway, you don't have any say
what I do with them shrubsstanding, getting taller every year. The longer you leave them, the more it's gonna cost you to cut 'em down when the time comes
PORTMAN
There ain't ever gonna be a time and they ain't
ever gonna be cut so I ain't worried none
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