Tuesday, June 27, 2006

YOU LIKE ME...THE NEVER ENDING STORY: part 2....


Yesterday I was the recipient of a rejection notice for one of my plays from Jill, who has a theatre group. It never gets easier to receive them and it occurred to me that if playwrights would look deeper into the exact wording of the notices, perhaps there could be some positive comments within the replies. At least I interpreted and found a few of Jill's words as not negative and sometimes that's all we have. Right?

Today I received yet another e-mail from Jill advising me not to take offensive at her comments. Actually, I wasn't and so we continue our correspondence:

"Dear Eleanor:

I do not like to send back replies that merely say 'Not for us'. I think it is always good to communicate at a more human level, and try to convey something about my feelings regarding your script. My comments were not meant to hurt or offend you, as they seem to have done. And for this I apologize - as you say, we all have something to learn. But what I wanted to convey was the difference between the writing you have submitted and writing for the stage. And this is something you might need to think about. I did not emphasis the word "good", that is your emphasis. I think what you have written is good for television - as they need a laugh a minute. But theatre is something else.
Please try to hear what I have said without getting defensive - I am also a playwright and still, after all these years, I have something to learn about my writing, and I value the criticism that I receive.

There are no winners and losers here... no points to be scored. We're all on a journey of discovery, and feedback is always important.

Best regards,

Jill"


I focused because I prefer to see the positive upon receiving rejections, that Jill once again suggests that my play or text would be good for television since "they need a laugh a minute." This in my eyes, anyway, means that I could have...may have made her laugh! Hey - that's good!

So of course, I supplied her with the feedback she mentions:

"Hello once again, Jill,

As a playwright yourself, you know (or maybe you're lucky enough not to know) that rejection is part of playwriting. Normally, as mentioned in my e-mail, I merely update my file noting all the theatres to which my plays were submitted - and that's it. However, I was somewhat taken aback with the tone of your response, which IMHO bordered somewhat on being insulted. I never intended it to be angst-ridden or Pinter-like in story line and/or an in depth study of humanity. It is meant as pure escapist enjoyment. If you read the story through to the end you would have noted that there is some emotional conflict between the main character and a secondary character.

Giving birth to a play is like giving birth to a baby. You coddle it, heave attention and love in every word you write, attempt through trial and error to make it stage-worthy and then send it out into the world and hope for the best. Of course I'm defensive as any playwright would be about their literary offspring! As an aside there have been numerous (accent on the numerous) re-writes over the years but there comes a point where you have to stop tinkering and let it sink or swim. If it sinks - the journey was a blast but if it swims... It's that unknown factor that makes it all worthwhile.

As for the TV comment - I agree 100% with you. Given the current slate of junk being passed off as entertainment, my play in any form would be an improvement-LOLOL!

Like they say - different strokes for different folks. Please accept my good wishes in all your future endeavors and may the play of your dreams fall into your hands.

Best,

Eleanor"


Whether or not Jill wants to continue our "journey of discovery" is now in her hands. Meanwhile I'm thinking a sitcom...maybe HBO would be interested...

Monday, June 26, 2006

YOU LIKE ME! YOU REALLY LIKE ME!


Like all playwrights I regularly send out my plays (all two of them) to various theatres when the opportunity arises. The 'opportunity' could be a theatre that has attracted my attention for one reason or another, or a general call for submissions. Usually I get the usual rejection letters/notes: 'Dear Eleanor - thank you for submitting your play but...' or 'Dear Playwright. Unfortunately your play did not make the cut...' or all too often, no communication whatsoever. Be that as it may (or may not) it's all part of the process. It never gets easier.

Today I received an interesting and somewhat caustic although brief rejection note. I read and re-read the words that Jill, the send-ee, passed along:

"Dear Eleanor,

Thanks for sending blah-blah. But I'm afraid it doesn't suit us.

Play writing depends not only on witty dialogue, and a joke a minute, but also on a sense of mystery,of heightened language and moments of silence, when what is unspoken is more important that what is spoken. I feel your story is written more as a TV sitcom than as a play for the stage. For good playwriting, I would suggest that you read someone like David Mamet -

Sincerely,

Jill"

Reading and interpreting her words, I figure there must have been some merit in the play if she wrote: "playwriting depends not only on witty dialogue..." Aha! So she admits that my dialogue is witty! That's nice to know!

She goes on: "...and a joke a minute..."

O-kay! This definitely means I have a good sense of humor, something which many people have told me. Then again, there are those who have commented - a minority of course - that my content is kind-of weird...

The supreme compliment, at least for me, was: "I feel your story is written more as a TV sitcom..."

Actually, writing a TV sitcom is something I've frequently thought about and unbeknownst to Jill, she has confirmed that I should pursue this avenue!

Since I feel my self-esteem and playwriting skills were assailed, I fired off a return e-mail to her that read:

"Dear Jill...I think,

You wrote: 'For good playwriting, I would suggest that you read someone like David Mamet.'

Uh-huh...I'm assuming here that means you don't like it... Don't hold back now - tell me your real feelings.

Usually, when I get a "no - not for us" I enter the information in my "they didn't like it" file and that's it. However... Since you made a point of suggesting that I read Mamet - I figure this requires a response.

I made it very clear from my first communication with you that "Gin..." was a comedy and you have to admit it is that. So 1 point for me, here. Perhaps had I sent you a synopsis of the play you would have noted that it is light fare and obviously not for you or your group/theatre. However, in all our e-mails you made it clear that you wanted to read it, ASAP, so I obliged. Nothing ventured, nothing gained. Right? Your acrimonious e-mail response and knee-jerk reaction, however, took me by surprise. I mean - a comedy is a comedy is... I'm like...sorry that the content wasn't Mamet-like but then I never intimated it was/is. I'm a freelance writer/columnist/humorist by trade and as any editor of any publication in the world will tell you, comedy and humor is subjective... It was not and is not intended to be high drama. It IS however, pure escapist fun and that's all it was ever intended to be. Given the current state of the world these days, we all need a laugh - even you. Even Mamet.

May the force be with you and send along the play of your dreams,

Best,

Eleanor


See? There are hidden positive "messages" that all playwrights can find in those rejection letters if they would only take the time to interpret what the senders really mean!